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Session descriptor: When publishers have limited resources, where should they be deployed to generate traffic? Both social media and search offer great riches but come with perils as well.
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BENGALURU: The company’s consolidated operating revenue increased 35.5 per cent y-o-y in Q2 2019 at Rs 168.66 crore as compared to Rs 124.51 crore in the year ago quarter. Total income increased 34.7 per cent y-o-y in Q2 2019 to Rs 170.66 crore from Rs 126.71 crore in Q2 2018.
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On October 1, Sony Pictures Network India’s 22 channels were dropped by Tata Sky due to a snag in commercial negotiations. However, this does not seem to have dented viewership numbers on SPNI GECs.
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The partnership will further enhance the entertainment experience by providing Malaysian customers access to Eros Now’s vast library of 11,000 plus movies, original shows, music videos and more.
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Media brand and digital content player NDTV and telecommunications services provider Airtel have announced the launch of NDTV Hop, a live channel for smartphones available in the portrait (vertical) mode with exclusive content for Airtel TV users.
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Network18 reported a consolidated revenue of Rs 1,237 crore in the Q2FY19, 9% up from Rs 1,138 crore in the corresponding quarter of the previous year.
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Reliance Industries may soon buy controlling stakes in two of India’s largest cable TV and broadband service providers, Hathway Cable & Datacom and DEN Networks. The news was first reported by The Economic Times.
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NDTV Convergence is a digital media business that controls all NDTV websites, including NDTV.com. Launched in 2008, NDTV Convergence is profitable; last year's revenue figure is Rs.144 crore. The team comprises around 300 people. With a web-first, television-second strategy, the digital news media brand was built on the premise that money follows good content and great user experience. The pillars of Convergence, in Suparna's words, are content, technology and UI/design.
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MUMBAI: Though the general notion has been that Hindi GECs are the most watched shows across the nation, the truth is far from that. Over time, broadcasters have realised that if they want to rule India, they must cater to the various languages.
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MUMBAI: The Pro Kabaddi League (PKL) auctions saw six players command over a crore, offering further proof of the property’s rising popularity in terms of viewership and advertising interest. If we look at the viewership, the live telecast of PKL season 5 garnered 1.6 billion impressions with a target audience of 2+ which was broadcast on eight channels.